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Painted pottery, mirror of Chinese Neolithic Culture

Updated: 2008-01-11 16:44

By Dong Jirong (Chinaculture.org)

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In addition to fish, running deer and barking dogs were also among decorative patterns on Banpo painted pottery. These simple but descriptive designs demonstrate that ancient Chinese artists were good at depicting the movement of animals.

Painted pottery, mirror of Chinese Neolithic Culture

Painted pottery, mirror of Chinese Neolithic Culture

Miaodigou is an archaeological site located in Shan County, Henan Province, which dates back to 5,000 years ago. Different from Banpo pottery whose interior parts are painted, Miaodigou pottery is mostly painted on the outside.

Painted pottery in Majiayao culture

 Painted pottery, mirror of Chinese Neolithic CulturePainted pottery, mirror of Chinese Neolithic Culture

It’s widely believed that there are, in order of time, three types of painted pottery featuring Majiayao culture, namely Majiayao (3,300-2,900 BC), Banshan (2,900-2,350 BC), and Machang (2,350-2,050) types. Banshan and Machang types are named after the Banshan Village in Linxia, Gansu Province, and Machang Village in Minhe County, Qinghai Province.

Painted pottery, mirror of Chinese Neolithic Culture

In Majiayao painted pottery, there are many rippling and rotary designs drawn with smooth and balanced strokes to engender a quiet and gentle mood. These designs shed precious light on life in primitive Chinese society, with men fishing and hunting, and women doing housework and collecting vegetables and fruits.

In the Banshan and Machang painted pottery, which were a little later than the Majiayao, the designs changed. More saw-tooth, circling and frog-shaped strokes appeared, which look wild, bold and enigmatic.

Painted pottery, mirror of Chinese Neolithic Culture 

More painted pottery wares have been discovered in recent years. For instance, in March 2005, it was announced that a 4,500-year-old pot with patterns of genitalia was discovered in Lintao, Gansu Province. Archaeologists identified it as belonging to the Banshan type of Majiayao culture and pointed out that this pot is the first Banshan type work to be found with patterns of both male and female genitalia.

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